hazel bank
S
S
T
T
U
U
D
D
I
I
O
O
BINDING re:DEFINED 2027 Programme
all classes run from 9:30am - 5ish
2027
Made in Venice January 11th - 19th
Loop Binding May 4th - 7th
Articulated June 21st - 25th
Binder's Wallet September 25th - 26th
MADE IN VENICE: The Book and its Shapes
January 11th - 19th
In conjunction with its exhibition, The Book and Its Shapes, the Marciana Library in Venice will host three special workshops in January 2027. The workshops explore contemporary approaches to codex binding with particular attention to functionality, flexibility, structural behaviour and their relevance to binders and book conservators.
The programme brings together three internationally recognised binders: Kylin Lee, Lori Sauer, and Suzanne Schmollgruber, each leading a two-day workshop. Participants may enrol in one, two, or all three workshops.
This is an outstanding opportunity to receive first class tuition in contemporary bookbinding alongside the historical context in which it’s set. The three workshops are outlined below.
Spaces are limited to 7 per class, and a deposit of £100 is required to ensure your place. Each class costs £225, or £450 for two or £675 for all three. All payments are to be made in British Sterling, details for this are on the enrolment page. There will be an additional materials charge per class, to be determined. Participants are responsible for their own travel arrangements, accommodation and insurance. The programme will also include visits and guided tours (at cost) related to the exhibition and the rich bookbinding and cultural heritage of Venice.
While the workshops are held in the Marciana Library, located in St Marks's Square, all administration, enrolment and payment is handled through BINDING re:DEFINED.
Previous binding knowledge is required for all three workshops.
The workshops are now full. Please put your name down for the waiting list as sometimes there are cancellations.
The Sewn Board Binding
Suzanne Schmollgruber
January 11th - 12th £225.00
The Sewn Board Binding, developed in the 1980s by American book conservator and binding researcher Gary Frost, is a structure known for its excellent opening characteristics. In this technique, the text block and covers are constructed as an integrated unit. The boards are sewn directly to the book block, creating a strong mechanical attachment without the need for traditional case construction. The boards are typically flush with the edges of the pages, resulting in a clean, contemporary appearance. The spine piece, made with cloth, leather, or other materials, is constructed separately and subsequently attached to the book. The boards remain flexible despite their relative thickness. Elegant, functional, and structurally efficient, the Sewn Board Binding is particularly well suited to thin and lightweight books.
The Pompidou
Lori Sauer
January 14th -15th £225.00
First developed by Lori Sauer in 2010 and refined through numerous subsequent iterations, the Pompidou Binding derives its name from the famous Pompidou Centre in Paris, whose structural elements are intentionally exposed on the exterior of the building. Likewise, the binding’s functional components remain visible, becoming an integral part of its visual character.
The Pompidou incorporates a sewn board with additional vellum guards. The guards are cut into straps that fold back, interlace and slide into the laminates of the opposite board. The result is a book that opens smoothly with no stress on the joints. Large and small books alike respond well to the mechanics and the exposed structure lends itself to individual interpretation.
Split Spine Binding
Kylin Lee
January 18th - 19th £225.00
Developed by Kylin Lee in 2012, the Split Spine Binding is is an innovative binding structure with a spine piece that can “split,” or fold out of the way, allowing the board edges to move towards each other and touch along the spine edge without restriction. This dynamic allows for a book to open completely flat without having to rely on the drape of the pages.
The Split Spine Binding was originally conceived to accommodate thick, rigid pages that are not well suited to traditional spine linings. The challenge was to create a binding that provided the stability and protection of a solid case or spine piece while still allowing maximum openability. The solution was a spine piece capable of articulating independently from the boards, folding away as the book opens and eliminating the restrictions typically imposed by a fixed spine.
Subsequent development of the Split Spine Binding has proved it to be a widely adaptable structure with variations for laced in boards as well as a case style binding. The many possibilities for hinging and spine articulation offer both functional and aesthetic flexibility, making the Split Spine Binding a versatile technique for contemporary bookbinding.
Loop Binding
Jan Peter Zimmerlich
May 4th - 7th £495.00
Jan returns to challenge us again with three more of his ingenious book structures, all made without glue or sewing. The accompanying images illustrate the finished product. It is not necessary to have attended Jan's previous workshop on the Woven Structure to enrol.
The first is the Loop Binding, originally a very conceptual variant of his Woven Structure. The protruding ends of long weaving straps, on both sides of the text-block, are woven back to the spine in staggered positions. The loops attach light, flexible boards and return to the spine where they anchor the entire structure.
The second book is the Self Supporting structure where overlapping straps weave through supporting material creating flexible book-boards.
And the third, a multi section text, has the principles from the woven structure adapted to make a Twin Book.
Experience required.
Loop Binding
Self-Supporting Binding
Twin Book
Articulated
Suzanne Schmollgruber
June 21st - 25th £585.00
The displacement of hinges and the incorporation of movable elements give the object a great scope for transformation. This potential will be explored, tested and put into practice during the course. The starting point is the technique of the board book - a book made of thick board pages, commonly seen in children's books: it is the foundation for creating book objects with mobile elements. Participants are asked to let themselves be inspired through creative experimentation and 'build' books that swivel, turn and flip before the leaves are closed, hiding the surprises within.
This is one of Suzanne's favourite areas of book making
and her contagious enthusiasm is brought to bear in a
class that transforms the book into small mobile pieces
of architecture.
Basic experience required
Binder's Wallet
Lori Sauer
September 25th- 25th £240.00
The binder's wallet is inspired by the wallets fly fishermen use to protect and carry their hooks, flies, lines and other ephemera. The originals come in various forms but typically have parchment pages arranged into pockets with a central leaf of thick felt. They can be covered in leather or canvas, sometimes including further pockets on the inner cover. They are held together with a buckled strap or metal fastener.
The books made in this workshop incorporate three methods of page attachment, all with no sewing. The leaves are made from strong non -woven polyester and wrapped in beautiful hide. They are adapted to hold the smaller items of a binder's basic kit and can easily be carried in the hand.
N.B. Sewing machines are required for the class so please make arrangements to bring your own. BrD is unable to supply these.
No fishing experience required.
BINDING re:DEFINED
hazelbankstudio.co.uk
beechingstoke, sn9 6hj
07553 224984